This makes the countless casualties all the more striking and grim.
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The punch is that there is a refuge to be had and the characters learn of it early as they race against the odds to make it to Busan. Zombie films so often present dissenting moods of perseverance and loss and what it means to find oneself on the other side of it all. In a pivotal moment, Soo-an weeps while singing the song “Aloha ‘Oe,” embodying the contradicting sounds of sweetness with lyrics bearing farewell. It’s not the loss of life but the loss of self. The chase is scary, the loss of their minds to animalistic instincts is depressing - and that’s the key to making a zombie film so thoroughly haunting. By knowing so many of the victims, the film refuses to allow us to separate them from their humanity. The emotional toll is immense as parents, partners, the elderly and the young are all unable to be spared in the rampage.įrom a homeless man who snuck onto the train and a baseball team to a working-class man and his pregnant wife, the story gives us just enough of their traits - from their heroism to their selfishness - that when someone is murdered (often in grizzly, brutal ways), we feel that loss. The body count isn’t simply there to drum up the drama or to force the stakes to become impossible. What immediately makes Train to Busan one of the best of its genre is how it understands the impact of the story’s casualties. Train to Busan doesn’t take its characters for granted. Through showing the loss of humanity, the film and its script still manage to deliver the rallying spirits of human beings in their attempts to save and protect one another. While classism is a critical point in the movie and the class divides between them are made clear, it’s the unity of the survivors that evokes the greatest of emotions. The film never vilifies either character but rather places blame on the corporations that caused the apocalypse. While Gong is cast to be suave and lean with a boyish face splattered with blood, Ma Dong-seok, in comparison, barrels through the train as if a natural-born brawler. The movie even showcases the differences in how each actor embodies their roles. Through these two characters, we see the survival instincts of the working class pitted against the rich. Instead, he and his daughter are kept mainly alive with the help of others and thanks to Yoon Sang-hwa’s reliable nature. The film never tries to make excuses for him. Seo Seok-woo isn’t an attentive father, as we learn at the start, but by taking this trip with his daughter, he’s taking a step towards making amends. The differing perspectives between Gong’s Seo Seok-woo and Yoon Sang-hwa, played by Ma Dong-seok, offer great conflicting narratives, even though it’s undeniably Yoo’s film. Train to Busan gives its entire cast of characters moments to shine. Gong Yoo and Ma Dong-seok in Train to Busan. Here’s why you need to watch Train to Busan, now that it’s streaming on Amazon Prime Video. Yeon Sang-ho’s 2016 film Train to Busanis a perfect combination of dark wit, thrilling action sequences, and a broken heart at its center that makes it one of the finest films of the last decade. As with many genre films, their overall packaging often contains something more provocative, and their horrors make for lasting impressions.
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Anna and the Apocalypse refreshed the genre with festivity and music.
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Then, there is Danny Boyle’s 28 Days Later, which introduced the idea of a “quick zombie” while Shaun of the Dead from Edgar Wright played with the notion that we’ve all become zombified due to our reliance on routine and conformity. And they aren’t necessarily the living dead, but those of whom create the divides in the country which allow such evil to fester. Romero’s Night of the Living Dead, is a dreary and pointed look at who the monsters in America are.
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The most iconic movie about the undead, George A. The best of the zombie genre spins thoughtful allegories or introduces a new twist into a familiar setting. Society is not just being haunted by otherworldly monsters, but by the decaying faces they once knew. What makes these stories frightening isn’t the brains and gore, but the sobering realization that the world they now stumble through is dangerous and morose. Films dedicated to their re-animated lives date back to the 1930s with White Zombie. Zombies can never rid themselves of their scare factor.